![]() ![]() His first in 2020 called LP5 shocked a few listeners, but still found a generally favorable reception for Matt Pence’s approach of at times using tasteful electronic embellishments to enhance and liven up Moreland’s songs without getting in the way of them, while also utilizing more organic instrumentation such as guitar and keyboard when called for. Moreland’s sixth album Birds in the Ceiling is his second collaborative effort with producer Matt Pence. He remains an apex predator of the songwriting discipline, who’s landed so many haymakers to the emotional receptors of listeners in the past, it has elevated the whole songwriting game for an entire generation, and is one of the reasons there are so many promising understudies now coming up behind him. But you ignore John Moreland at your own detriment. ![]() In our endless and silly pursuit for what’s shiny and new-even in the more distinguished realm of critical songwriting-you can almost overlook ol’ John Moreland who now with his sixth record is well into the mid-career territory.
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